পরেশ মণ্ডলের কবিকৃতি: একটি সামগ্রিক পর্যালোচনা
Volume-XII, Issue-I, October 2023
Volume-XII, Issue-I, October 2023 | ||
Published Online: 31.10.2023 | Page No: 210-218 | |||
পরেশ
মণ্ডলের কবিকৃতি: একটি সামগ্রিক পর্যালোচনা
ড.
শিউলি বসাক, অতিথি অধ্যাপক, বাংলা বিভাগ, বিশ্ববাংলা
বিশ্ববিদ্যালয়, পশ্চিমবঙ্গ, ভারত। | |
The Poetic Works of Paresh Mondal: A Comprehensive Review Dr. Shiuli Basak, Guest Lecturer, Department of Bengali, Bishwa Bangla University, West Bengal, India. | |
Poet Paresh Mandal emerged in the early sixties of the last century. His poetry is very
clearly distinguished compared to the previous poets. He was one of the foremost among
those who started the Shruti literary movement in 1965. This literary movement was in
opposition with the main-stream poetry. This Movement challenged and significantly
changed the style used in the main stream poetry from various aspects including Content,
Diction, and most importantly the Form. They predominantly tried to create a visual effect
of poems by altering or arranging the words and lines in an unconventional way, or using
different fonts, symbols, signs, or special application of punctuation marks etc visual
persuasive tools. As Paresh Mandal was deeply involved with this Shruti literary movement,
the influence of this movement is very evident in his overall poetry. Hence the present
article aims to study the poetry of Paresh Mandal from thematic and stylistic aspects with a
focus on the influences of Shruti literary movement on his poetry. | |
Keywords: Shruti literary movement, Unconventional poetry, Visual persuasive tools, Multimodality. |